Iconic film producer Robert Evans is no slouch when it comes to dramatic structure. It’s inherent in all of his projects: “Chinatown”, “The Godfather”, “Rosemary’s Baby“, “Marathon Man”, “Harold and Maude”, “The Odd Couple” to name a few of my favorites. His latest memoir “The Fat Lady Sang” opens with probably the most dramatic moment of his life, the … Continue reading
You must be logged in to post a comment.